THE BERLIN SOUND
From Bach to a new musical language

Around 1740, a generation of musicians inherited Bach's world and transformed it. In Berlin, they developed a new musical language: more conversational, more expressive, more personal, more daring. Ensemble Diderot explores this forgotten moment of invention.Around 1740, Berlin became one of Europe's most vibrant musical laboratories. Musicians from across the German lands gathered at the court of Frederick the Great and began to rethink the very nature of musical expression. Inspired by Bach, yet determined to forge their own path, they created a new language of conversation, emotion and individuality.
EXPLORE THE BERLIN SOUND

People

Places

Instruments

Ideas
![]() JG Graun | ![]() CPE Bach |
|---|---|
![]() Add a Title | ![]() Add a Title |
![]() Add a Title | ![]() Add a Title |
![]() Add a Title | ![]() Add a Title |
![]() Add a Title | ![]() Add a Title |
![]() Add a Title | ![]() Add a Title |
Programme
Georg Muffat (1653–1704)
Sonata No. 2 in G Minor (Armonico tributo, Salzburg 1682)
Heinrich Ignaz Franz Biber (1644–1704)
Sonata No. 1 in B Minor (Fidicinium Sacro-Profanum, Salzburg, 1683)
Romanus Weichlein (1652–1706)
Sonata No. 3 A Minor (Encaenia musices, Op. 1, Innsbruck 1695)
Georg Philipp Telemann (1681–1767)
Sonata a 5 in G Minor, TWV 44:33
***
Wolfgang Amadeus Mozart (1756–1791)
String Quintet in G Minor, K 516
Adriana González and Iñaki Encina Oyón in rehearsal

Season brochure
Find more information in our brochure












